Niggas in Denial: Pimping the System and The System of Pimping

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Niggas in Denial: Pimping the System and The System of Pimping

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During the summer of 1973, the Joneses made one of the most dramatic moves in our young marriage. We moved from Philadelphia, where my wife was teaching Kindergarten in the Ghetto, to Germany where I began teaching English at a Gymnasium on the lower Rhein. Both my wife and I had grown up in Philadelphia, and yet after years of teaching in the Ghetto, my wife had to admit that she didn’t have a clue about what went on when her pupils left to go home in the afternoon. She did know that their mothers often didn’t pick them up on time, that they were out late because of going to the movies, etc., etc., but everything else about their lives was shrouded in a mystery that was made all the more profound by all the civil rights imagery that had no application to the lives of the pupils she encountered on a daily basis. Conversely, neither of us had ever been to Europe before, but both of us found that, when we got over the initial language barrier, there was nothing strange about this foreign country at all. In fact, it felt more like home than city we had called home for out entire lives. Niggas in Denial is a late attempt at explaining that paradox. The Ghetto was awash in romantic imagery during the 1970s. What we now know and what I try to explain in Niggas in Denial is how that imagery is nothing more than one more psy op perpetrated by a government which uses social engineering to evoke soldiers from dragon seeds, but can’t find a way to tame the monsters they have created. No one has suffered more from politically motivated racial migration and the concomitant sexual revolution, than the black population of America’s big northern cities. Caroline Peoples, who is now serving seven consecutive life sentences for the murders she committed on the South Side of Chicago, is one of these monsters, but a human being too, who decided to tell the truth, no matter what it cost her, a truth I share with you in this book. - E. Michael Jones, August 2012

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